To import a file, or group of files, select them, then right-click and choose Import. Here, I’m displaying all files with “Bear” in the file name. In this example, I’m only displaying Photoshop images stored in the selected folder.Ĭlick the Magnifying Glass icon to add text to search. Switch between displaying thumbnails of media and a list view by clicking these two icons at the bottom of the panel (Thumbnail view is highlighted in blue.)Ĭhange the size of thumbnails by dragging this slider left or right.Ĭlick the Funnel icon (half-hidden and highlighted in blue) at the top to only display files that match a specific criteria.
There’s no limit to the number of Favorite locations you can create. That location, even if is buried multiple levels deep, now appears under the Favorites setting at the top left corner of the Media Browser. If there’s a folder you access frequently, turn it into a Favorite by right-clicking (Control-click) the folder and select Add to Favorites. Press Tilde again and the panel shrinks to its normal position. When you put your cursor in a panel and type that key, the panel enlarges to full-screen. NOTE: Without question, my favorite Premiere keyboard shortcut is Tilde ( ~ ). Click the name to make it active represented by a blue box around the panel. The Media Browser is located immediately to the right of the Project panel and allows you to review media before you import it into a project. In fact, if you are using Premiere and you’re not using Media Browser, you are missing a key way to “make it go faster!” Let me explain. This works fine for virtually all applications, but, as I discovered as I researched my training, there is a hidden gem in Premiere called the Media Browser that provides far more speed, power and flexibility.
Like many Final Cut editors, I long ago got into the habit of importing all media and other project assets using Command + I ( File > Import). NOTE: I’m indebted to Christine for pointing out many of these tips. Because the editors there faced daily delivery deadlines, the goal of our training was to help them “Make it go FASTER!”
#Adobe premiere 6.0 media settings location pro
During the last two weeks, Christine Steele invited Tony Bari and myself to help her train a major LA-based production company as they converted from Final Cut Pro 7 to Adobe Premiere Pro CC.
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